Usually am not a Hindi movie buff as I find most of them remotely connected to reality. However, watching PINK was a refreshing experience. It lays its finger on so many societal and cultural aspects of the country, that is normally either left untouched or swept under the carpet by cinema, though in reality movies must be slices of real life, mirroring life in all its starkness – good, bad and the ugly.
PINK really reflects the conventions in the modern Indian society. It throws light into the capriciousness of minds especially when it comes to matters targeting women. Patriarchy. Parochialism. Nepotism. Harassment. Threats. Abduction. Contortion in courtrooms. According to the Gender Inequality Index table of 2015, India ranks 127th in gender inequality (lower than some Middle East and even Sub-Sahara countries) and 114th in gender gap in the world. Despite the rise in female literacy, only just above 30% of women workforce. It is clear that the society refuses to hand in freedom to the working Indian woman.
The movie’s opening is riveting. As credits roll over, in the background you hear voices from a party in progress. Conversation. Fun. Laughter. And then when credits fade away, action begins. Flashes of what’s happening unfolds. Effective montages that alternate from one group to the other heightens the thrill of nail-biting action. From then action builds, on and on. Almost keeping you on the edge of the seat, till midway. Then the courtroom drama unfolds.
What struck me most is the scary turn of events. How a simple No can be manipulated and maneuvered to wreck the lives of three working girls in upscale part of Delhi. This is something that could happen anywhere in India. And it speaks volumes of how judgmental, and Janus-faced society is about women. It goes something in this vein:
If she wears jeans and tees, she must be ‘loose’.
If she accepts invitations to parties she ‘fast’.
If she takes a drink at a party, she’s ‘solicits’.
It shocks. Yet, it is true. And the society comprises you and me. At some point all of us have assumed and presumed. It’s time to say a big NO to that.
When Deepak Sehgal lists the ‘code of conduct’ for women, he hammers nails one after the other in the repressive and highly patriarchal Indian society’s coffin.
Some scenes are so powerful and remain etched in your mind. Actions do speak louder than words. In one shot Minal is taunted by a passerby as ‘one involved in the Surajkund case’, she feels ashamed and covers her head with her hoodie – almost covering her face, and a very reticent Deepak pulls down her hoodie. It is like saying, don’t be ashamed of yourself for what happened, in just one simple action.
Falak’s breaking down in the court scene and the ensuing resigned compliance of something the threesome had not done is a pointer to what generally happens in such legal cases. The rich and powerful trod mercilessly on the underdogs, making them into a squishy squashy pulps, from which you will never recover physically, mentally, emotionally and least of all financially.
Andrea’s deposition in the court scene that being from India’s North East she’s harassed more than the average Indian girl, is like a whiplash on our sensibilities.
The three men present the frightening picture of depraved souls with very regressive mindsets. Falak’s friend who invites them to the party comes across as gullible fall guy. And their lawyer makes you loathe him passionately for his no-holds-barred cross-examinations. Birds of the same feather, so will flock together.
Deepak (Amitabh Bachan) vocalizes some of the compelling takeaways from the film. He says that we need to educate our boys more than girls. It can’t be more true. Men, women – especially mothers, many knowingly and some unknowingly, play a significant part in perpetuating the patriarchal mindset. Deepak also says No is not just a word. It is a full sentence. It needs to be respected. A No is a No and not Yes. Here too parents’ responsibility is crucial. Train children to say yes and a vehement no when the situation warrants it. And that a NO for an answer must be respected.
While there were lots of claps while the punch dialogues were delivered, it was disconcerting that there were titters in the scene where the girls walk into a police station to file an FIR. The cop in a no-nonsense way says, you went for a party and there was ‘give’ and ‘take’- one cannot miss the innuendo. Ah, did I forget, patriarchal blood courses through our veins. In a cricket field men are cricketers and women? Cheer girls, of course!
I loved the movie. Especially if you are an Indian parent with teen aged children, this movie is a must see.
Tailpiece: Just read today about the Egalia Pre-School in Stockholm, Sweden, where the school does not use gender based pronouns to nurture an egalitarian community. The aim is to get students address each other either by first name or by the pronoun ‘they’ so that they grow up on equal terms, avoiding discrimination of all kinds including gender, age, religion, class, disability and sexual orientation. Kids, thus, learn to judge each other on their actions, not stereotypes. No doubt we need to start something like this and other concerted efforts to blot out the vestiges of discrimination from our blood stream and psyche!